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怎样欣赏吉米格里森的抽象作品?

2011-12-02 21:55:53 本文行家:陈宝义

JimiGleason'sboldlyreductivecanvasesareluminousworksofartthathaveanearlyindescribableimpact,evokingasenseofaweinthosewhoviewthem.吉米格里森的大胆还原油画是艺术发光工程,有近无法形容的影响,激起那些谁认为他们的敬畏。

吉米格里森的抽象
Jimi Gleason's boldly reductive canvases are luminous works of art that have a nearly indescribable impact, evoking a sense of awe in those who view them. 吉米格里森的大胆还原油画是艺术发光工程 , 有近无法形容的影响,激起那些谁认为他们的敬畏。 His light- and space-filled approach to minimalism evolved through a process philosophy much like that of his mentor, renowned West Coast painter Ed Moses—that is, through rigorous artistic discipline and a dedication to taking risks with techniques and materials. Painted with an assertive, luminous palette in a refractive medium, his paintings are changing the face of minimalism. 他的光与空间填充的方法 , 通过哲学的演变过程 , 就像他的导师,著名西海岸画家摩西的简约,也就是通过严格的纪律和艺术采取的技术和材料的风险的奉献精神。与彩绘自信,在调色板屈光介质发光,他的作品正在改变简约的脸。
One of the most notable aspects of Gleason's work is the complex way in which a painting invites viewer interaction. 格里森的工作的最显着的一个方面是复杂的方式画邀请观众互动。 Colors, textures, tones and subtleties emerge, meld and shift as ambient light and the viewer's perspective change. 颜色,纹理,铃声和微妙的出现,揉合和移位的环境光线和观众的角度变化。 The effect is both puzzling and awe-inspiring. 效果是既令人费解和威严。 As Gleason has said of his work, each painting is “a frozen moment for those who wish to ponder the visual riddle I offer them.” 由于拥有格里森说 , 他的作品,每一幅画是“为那些谁愿意思考视觉之谜我向他们冻结的时刻。”
To achieve the unique qualities in his paintings, Gleason drags numerous gossamer layers of pearlescent acrylic paint down and across the canvas with hand-made tools. 为了实现他的作品的独特品质,格里森拖动的珠光喷漆下来 , 用手在画布众多游丝层制工具。 Nearing the edges he allows the paint to pool or smear, creating an emulsive effect that grounds the painting in physical space while the center appears nearly transparent, like vaporous atmosphere. 接近边缘 , 他允许漆 , 游泳池或涂抹,创造了乳化效果的理由 , 在物理空间绘画 , 而中央出现近乎透明一样富于幻想的气氛。
There is the feeling that his work is in constant flux. Of recent paintings, he says: “The margins have opened more, and I've let the grid—what I call the trac—surface more. 有一种感觉 , 他的工作在不断变化是最近的绘画作品。,他说:“利润率已经开放了,我也让网格,我称之为的TRAC -表面的。 So, now, the margins create another kind of space, and even though the composition may be filled by the trac, the luminosity still takes on space in itself.” Gleason has said, “Luminous colors especially are like water; the color is like water that sinks down below, and then the trac—the grid—gives nooks and crannies for the color to creep in from one side to the other.” 所以,现在的利润空间创造另一种,即使组成可由的TRAC填补,亮度仍然要在自己的空间。“格里森说,”发光的颜色 , 特别是就好像水,颜色是一样的水渗入下面,然后再对TRAC -网格,给出了色彩丰富 , 并从缝隙爬一边向其他。“
Gleason was raised near Newport Beach, California, and received his BA from the University of California at Berkeley in 1985. 格里森有人靠近加利福尼亚州纽波特比奇,并收到了在加州大学伯克利分校于1985年学士学位。 He then spent a brief period of study at the San Francisco Art Institute. 然后 , 他花了在旧金山艺术学院学习短暂的时间。 Following an extended period in New York City, he returned to California and soon met Ed Moses, with whom he worked as a studio assistant for nearly seven years. 继在纽约市延长期间,他回到加州很快就遇到了摩西,与他作为近7年来室助理工作。 Now shown in group and solo exhibitions nationwide, his work can be found in a large and growing number of public and private collections. 现在显示在团体和个人展览全国,他的工作可以在公共和私人收藏大 , 越来越多的发现。
 

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陈宝义陈宝义,祖籍山西大槐树 1980年出生于山东德州 2001年考入山东艺术学院油画专业 2002年入油画第一工作室,师从王力克、宋齐鸣、张洪忠教授。2009年油画作品《茉莉花开》入选十一届全国美展山东预选展,2010年作品《鹊至如归》入选第二届齐鲁风情油画展。

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